You can work in 96 and put a resampler on the output to go to 48 to the interface, I love it. Long story short: I’m mainly trying to get Nuendo to behave itself but it won’t AFAIK and wants too much control over the interface, buffering through a proxy driver is fine (if there’s latency for monitoring who cares?) Unless I’m recording with a bus going back to a musician being on the interface doesn’t matter much AFAIK. Resonic Pro: sfx libraries, reference material, spot check other work, and Bach I just want everything to output to the RED for monitoring, which doesn’t require anything special as long as all the channels are present. The problem is so many programs fighting for the interface, and having to work 48/96. The RED is on a Focusrite thunderbolt driver of course and controlled by a RedNet R1 monitor controller. This means that, if your hardware does not support sampling rates other than 44.1 KHz and 48 KHz, then you are stuck with those. Sound Devices 10vII for remote work, etc … Additionally, as stated there (in the link), the supported sampling rates depend on the hardware used (and quite rarely on the drivers - most probably this is not an issue nowadays). Thanks, yes I’ve got some expensive kit, Focusrite RED4PRE (main interface), a bunch of other DANTE gear in several rooms of the studio.
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